The Last Harvest — 2,300 Serial Uniques
In just five days – more precisely, in 27 hours and 28 minutes – I painted 2,300 serial uniques (10 cm × 10 cm).
That is around 200 works more than Vincent van Gogh created in his entire life.
Economically, my ego was satisfied: I had exceeded any reasonable market expectation of productivity and efficiency.
I even pitched the results in a closed round to bankers and business angels.
They asked for a business plan.
But as the system kept running – 27 hours and 28 minutes, 43 seconds per piece – the real cost of my actions became clear. Out of that experience came the diagnosis I want to share with you in tangible form:
What it means, today, when effort collapses and production no longer needs the human who started it.
I outcompeted my colleague Van Gogh in quantity – but never in the felt quality of the moment. Touché.
Van Gogh painted slowly to capture emotion. I painted at 43 seconds per piece to capture the speed at which emotion is now produced, consumed, and discarded.
Diagnosis: The Used‑Up Human
(Reflection written the morning after closing “Emotional Capital”)
This is not about one person. It is about a species.
Goethe saw it early.
Faust doesn’t sell his soul out of weakness. He sells it because he has already exhausted everything human knowing can reach. Labour, scholarship, magic, philosophy – all tried, all insufficient. The devil doesn’t seduce Faust; he simply arrives at the moment the human has used himself up and still wants more.
That moment is now.
Not one man in a study, but all of us – a species that craved power to secure its life and its families, that worked for its own survival, and in doing so built systems that extract the entire species. We learned to grow more plants, more seeds, more yield – and we kill the plant in the same process.
It’s chicken and egg: beginning and ending in one gesture.
For 200 years, each economy has extracted a different layer of us:
Labour economy
We sold what we did.
Bodies, hours, physical skill.
Knowledge economy
We sold what we knew.
Expertise, strategy, “smartness.”
Attention / creator economy
We were asked to sell what we feel and who we are.
Nervous systems as product. Pain‑tings.
Machine‑emotion economy (now)
The machine starts to feel for us.
It produces emotion‑shaped content, simulates being felt, and is trained on everything we ever posted.
Every time we thought, “This is the last irreducibly human thing,” the system learned how to extract it.
Labour → knowledge → innovation → ideas → emotion → relationships.
Social media is the largest dataset on what we are.
If an alien or an AI wanted to learn “human,” it would just drink that.
So yes: in one sense, we are like a plant that has been fully used.
A plant pulls water and minerals from the soil, grows, blooms, bears fruit, drops seeds… and then it dies.
It isn’t “wronged.” It completes its cycle.
The tragedy would be if the plant thought it was doing something else.
Humans are at that moment:
We gave our bodies
Then our knowledge
Then our feelings and relationships
Now even those are being modelled and reproduced
It feels like there is nothing left to give.
But the plant metaphor of the plant, has one more step:
By the time the plant dies, the seeds are already somewhere else.
The bee carried them.
The fruit rotted into soil.
The same system that extracted the plant also made the next plant possible.
So the real question is not:
“Are we used up?”
The real question is:
“What did we seed while we were being used?”
For me, Emotional Capital is that question made physical:
2,300 serial uniques in 27 hours and 23 minutes, at 43 seconds per piece
Seeds literally glued to the backs
A catalogue that doubles as a franchise manual
A system anyone can run at home without me
It is both the plant and the seed: beginning and end in one room.
Is it okay to feel this?
My job lets me fly first — and then crushes me with what I see.
I am a bildender Künstler. A visual artist. My duty is to make things visible.
That means I always wander the edge of ambiguity. I live at the breakpoint.
I wrote this the morning after finishing the exhibition. I don’t know if it’s a diagnosis or a confession. Probably both. The machine is already learning from this text. That feels appropriate.
“Die Geister, die ich rief, werd’ ich nun nicht los.”
The spirits I called, I now cannot rid myself of.
— Leonⁿ
Every economy extracts something different from you.
Labour took your body.
Knowledge took your mind.
Attention took your feelings.
Now the machine manufactures the feelings, so the only thing left to do is decide what all of this was for.
That decision – that judgment – is the last irreducibly human function.
My exhibition is that diagnosis made physical.